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World Anti​-​God Freedom X

by Adore, 1996

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1.
||SECTION 1|| I am no one, hold my arms down The only thing I can think about You softly frown, and I draw my arms round Try to absorb your whole body To keep you by my side, I sighed Stop being lonely When you're not on your own Lie in bed Call your mother Watch your TV 'til you fall asleep Don't laugh, you're just one more car On your way to work So watch out, call me ||SECTION 2|| If you's a real hustler you know 808's bitch (drop the bass) DJ slash producer Huh? Yo! Come again! That's all we got I'm known for that Yo, KT rocks the mic as a true MC Freestyle, rap for you New mixtape, the perfect beat Run the trap, bitch (hoo!) Yo southside! Check it out! La-la-la-la-ladies! (Lady, hey lady!) Hey brother (yo, one time) Hey sister (huh?) La-la-la-la-ladies! Lady! Hey lady! (You know how we do) ||SCENE 3|| Came to say I love you always Caught you keeping your old straight face
2.
Metro-2 04:24
||SCENE 1|| MAN: Snake, did you like my sunglasses? ||SCENE 2|| Always You know I need you Metro-2 Yeah, yeah, yeah, yeah Pick me up and crush me into pieces What do you want? I fall away ||SCENE 3|| KYLE: Well I'm not feeling myself and I don't know who to fucking turn to... with these feelings inside, everything fucking sucks. This morning Brian Scoleery called me, asked me if I wanted to wake and bake. I said no. And last night Ben and Justin Kirwin asked me if I wanted to play, uh, Up the River, Down the River with them... and fucking Lauren Reeve, the whole Langwood house. I didn't want to. That's not like me, because usually I'm always down to drink, always down to smoke. Always down to kick it with my boys, with some good as music and shit. But lately I'm just not in the mood. I don't even want to get out of bed and shit, because of the overwhelming feeling of dread and sadness that clouds my entire being and keeps me from being who I should be and shit. I wrote this plea for help because... (unintelligible)
3.
Milks 03:13
||Milk One|| Don’t think it out Don’t think about it now You know you know I know you know it He thinks he caught you drinking milk from the bottle He thinks he caught you wearing your shoes past the front door And leaving your coat and hat on Talking to someone you shouldn’t of No more try No more try He thinks he caught you drinking milk from the bottle He thinks he caught you wearing your shoes past the front door Thinking bout things you shouldn’t of Slowly but surely rolled off No more try No more try Don’t think it out No don’t think about it now You know you know I know you know it ||Milk Two|| VERSE 1 Cold and safe, walking slow Crossing streets, fast way home No one caught you when you Caught yourself, the mighty fall CHORUS See how they fall down VERSE 2 Leaving quickly from dark Untidy rooms in your friend's house Walking slowly from bars In your home town with no one round CHORUS See how they fall down EXIT Never caught a long wave Never took a long ride Fallen all asleep Fallen honestly Never caught a long wave Never took a long ride Fallen all asleep Fallen honestly
4.
MAN: My name? Oh, let me tell you my name... uhh... I'm confused. Because uh... you know... we're supposed to believe in the ministry, right? So is the Church and state supposed to be separate? I'm confused because I never went to school, right? Does a confused person get a resolution? I don't understand. You see, when you go like that, right, you have a cross. Two sticks, right? And that's how I felt when I was in Waterloo, because when I walked in Waterloo and smiled at people, they treated me like vampire. They used the cross and they went like this by not smiling at me. In Toronto - hey hi guys, you know me, Steve Spiros, easy going? Those who know me, I'm a nobody! You understand. And you can't kill a person with no body. So, why am I afraid? I'm not afraid. I'm afraid of the boogeyman, who's the boogeyman? You figure it out! I'm getting out of here! I'm going back to Waterloo where the vampires hang out, and I'm going to wear my sunglasses at night, you know why? Because woman show their tits, have short skirts, and then they feel violated when I look at them. Why? Because I have sunglasses on and I'm weird. Uh... I'm from Humberside. I'm sorry if I made a fool of Humberside but all those people who called me a sleepwalker... I woke up! Now I'm going back to sleep because I'm going to be committed in an isolation room and allow them to proceed me as I am, a fuck up! Good bye!
5.
Feel my I watch slow Watch i No I know Know what you want I don’t need you Know what you want How you get used Know what you want Know what you want Know what you want I don’t know how to feel it right I don’t know how to feel it Ooo Ooo Ooo Ooo Know what you want I don’t need you Know what you want How you get used Know what you want Know what you want Know what you want I don’t know how to feel it right I don’t know how to feel it
6.
Slacker 05:37
Watching you turn your back I leave without a track Walking from street to stair I could still see you there I never see you there I never see you there Thinking about your stare Watching you feelings bare Watching you I still care I love you everywhere I want you feelings bare Only about you I care I love you everywhere I love you everywhere Only about you I care Only about you I care I want you everywhere Only about you I care When you’re dead never wake up Never sleep never wake up Never walk never slow run Never talk never see sun
7.
||SECTION ONE|| Were you warm all night? Did you catch your own cold? Did you laugh when you woke up? Were you laughing like I was? Did you laugh when you woke up? Were you laughing with me too? Did you laugh when you woke up? Like I do when I'm with you ||SECTION TWO|| You've got A living machine In your body Body waiting No more I know See you as one To call your bluff And watch you grow We feel your form Build all sky high We call you down To see you fall
8.
||SECTION 1|| He doesn't want you gone He tells you open wide He never told you what Children never die He never told you what Or even mentioned how Or told you how he wanted to Live another life Walking always upwards Living all your life (Living all your life) Living all your life (Living all your life) Speeding slowly down an open road (Speeding slowly down) At the wheel of the car (The wheel of the car) Every person is more than capable (Everyone here) Of looking out for themselves (Take care of yourself) No don't feel sad (No don't be sad) It's expected to exit from life (Exit from this life) No don't be mad (No be mad) Every soul leaves before it pays it's dues (Every soul leaves) No don't feel sad (No don't feel sad) ||SECTION 2|| NATHAN: It's really bad. The dream is really bad. OTHER PERSON: Yeah I know. NATHAN: It's like almost a nightmare. OTHER PERSON: Yeah. NATHAN: Fine. It is a nightmare. ||SECTION 3|| MAN: (unintelligible mumbling). Anymore. WOMAN: Mhmm. MAN: Call it! ((SILENCE)) MAN: I don't know. SECOND MAN: What's a good childhood memory? What's a good memory? MAN: Well... SECOND MAN: That you guys have shared. MAN: Who? SECOND MAN: You and her. MAN: I dunno. WOMAN: What? MAN: We didn't know each other when we were kids though. SECOND MAN: Well I mean like... just any memory that you guys have with each other. WOMAN: Oh my god... MAN: There's not many. (laughs loudly) WOMAN: That's mean... MAN: I know. WOMAN: God! MAN: Um... WOMAN: What a jerk! We've totally hung out for more than just a few, like, memories. MAN: Um... WOMAN: How about the time you fell down at my old house in Wichita, down the stairs? I watched you slide down a whole staircase. MAN: (interrupting) That whole party was a good memory, of that night and the party. WOMAN: (laughing) You slipped and fell backwards - MAN: Yeah... WOMAN: (continuing without being interrupted) - into the screen and there was a bunch of us on (unintellible speech), we were just like... ooohh... MAN: I fell down... I like fell down, like, a couple of flights of stairs in Witchita (WOMAN laughs loudly)... when I was an alcoholic... I went through, like, a three year phase, I feel like maybe it was like a... it was like a 19-20... like right before feel... turn 21 I feel like you drink way more. You know. Than when you're actually... like as soon as you turn 21 you start to care. I need to get my life together, I'm 21. But yeah that's a memory. WOMAN: A pretty big memory.
9.
Skerrie 05:04
Know what you know You don't care for me You don't care for me Oh Feel what you feel You'll always care for me You'll always care for me Oh Know what you know You don't care for me You don't care for me
10.
||SECTION 1|| PAM: I don't think it would be the worst thing if they let me go... because then... they might... I just don't think it's many little girl's dream to be a receptionist. I like to do illustrations. Mostly watercolour. A few oil pencil. Jim thinks they're good. ||SECTION 2|| I woke up distorted Moving from room to room Leaving my home My heart races faster I can hear them singing out A memorable tune Happy birthday to you Happy birthday to you Hip-hip hooray Doing their crossword puzzles Working the night shift like my Dad Used to

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released January 6, 2015

Written, composed, performed, mixed and mastered by Daniel Johann.
Photography by Jono Verrall and typography by Daniel Johann.

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Adore, 1996 Wellington, New Zealand

maximalist electronic project by daniel johann

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